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A Truckload of Blues
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Album: A Truckload of Blues
# Song Title   Time
1)    We Gonna Move
2)    Worryin' the Blues Away
3)    Let's Get It Stomp
4)    Scene of the Crime
5)    Old Dog Blues
6)    Never Hit the Same Place Twice
7)    I Can't Hardly Get Along
8)    Stack O Lee Aloha
9)    Get the Ashes Hauled
10)    You Set the Market
11)    One of Us Was Wrong
12)    Backwards Blues
13)    Yearning and Blue
14)    Don't Laugh at Me
15)    Kitchen Man
16)    Just as Well to Let Her Go
17)    Come One in My Kitchen
 

Album: A Truckload of Blues
# Song Title   Time
1)    We Gonna Move
2)    Worryin' the Blues Away
3)    Let's Get It Stomp
4)    Scene of the Crime
5)    Old Dog Blues
6)    Never Hit the Same Place Twice
7)    I Can't Hardly Get Along
8)    Stack O Lee Aloha
9)    Get the Ashes Hauled
10)    You Set the Market
11)    One of Us Was Wrong
12)    Backwards Blues
13)    Yearning and Blue
14)    Don't Laugh at Me
15)    Kitchen Man
16)    Just as Well to Let Her Go
17)    Come One in My Kitchen
 
Product Description
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Performer Notes
  • Personnel: Bob Brozman (vocals, guitar, mandolin); Jos Smith (trumpet); George Winston (piano); Fly Brooks (electric bass); Bobby Ryken (drums); Lorrallee Christiansen (background vocals).
  • Guitarist Bob Brozman's long-awaited all-blues album A Truckload of Blues covers similar territory as others who have turned in heartfelt treatments of traditional and Delta blues tunes. But the difference between Brozman and many of his predecessors is that he has fun doing these songs. He's wise enough to understand that there are only so many ways one can sing "Old Dog Blues" or "Kitchen Man," and that many of the great veterans really enjoyed what they sang. Brozman is also a technical marvel, particularly on bottleneck. But just as his vocals aren't simply replications, he doesn't merely whip out licks and display flash; there's thought in the soloing, creativity in the riffs and plenty of heart in the grooves. Brozman emerges with one of the better and more memorable repertory projects, one that seems more like his take on traditional blues rather than one more museum piece. ~ Ron Wynn
Professional Reviews
Dirty Linen (Dec./Jan. 92-93, p.59) - "...reminiscent of the best of Ry Cooder's work in its diversity of roots sources, its musicianship, and the conviction with which the material is delivered..."
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