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In the Wee Small Hours
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Album: In the Wee Small Hours
# Song Title   Time
1)    In the Wee Small Hours of the Morning More Info... 0:03
2)    Mood Indigo More Info... 0:03
3)    Glad to Be Unhappy More Info... 0:02
4)    I Get Along Without You Very Well More Info... 0:03
5)    Deep in a Dream More Info... 0:02
6)    I See Your Face Before Me More Info... 0:03
7)    Can't We Be Friends? More Info... 0:02
8)    When Your Lover Has Gone More Info... 0:03
9)    What Is This Thing Called Love More Info... 0:02
10)    Last Night When We Were Young More Info... 0:03
11)    I'll Be Around More Info... 0:03
12)    Ill Wind More Info... 0:03
13)    It Never Entered My Mind More Info... 0:02
14)    Dancing On the Ceiling More Info... 0:03
15)    I'll Never Be the Same More Info... 0:03
16)    This Love of Mine More Info... 0:03
 

Album: In the Wee Small Hours
# Song Title   Time
1)    In the Wee Small Hours of the Morning More Info... 0:03
2)    Mood Indigo More Info... 0:03
3)    Glad to Be Unhappy More Info... 0:02
4)    I Get Along Without You Very Well More Info... 0:03
5)    Deep in a Dream More Info... 0:02
6)    I See Your Face Before Me More Info... 0:03
7)    Can't We Be Friends? More Info... 0:02
8)    When Your Lover Has Gone More Info... 0:03
9)    What Is This Thing Called Love More Info... 0:02
10)    Last Night When We Were Young More Info... 0:03
11)    I'll Be Around More Info... 0:03
12)    Ill Wind More Info... 0:03
13)    It Never Entered My Mind More Info... 0:02
14)    Dancing On the Ceiling More Info... 0:03
15)    I'll Never Be the Same More Info... 0:03
16)    This Love of Mine More Info... 0:03
 
Product Description
Product Details
Performer Notes
  • Originally issued on CD without the song "Last Night When We Were Young."
  • Personnel includes: Frank Sinatra (vocals); Nelson Riddle (arranger).
  • Includes liner notes by Pete Welding.
  • Digitally remastered by Larry Walsh (Capitol Recording Studios).
  • Recorded in 1955, this superbly arranged and sung set of slow ballads can lay claim to being the world's first "concept album." Of course, in classical music, song cycles had been around since Schubert, but a whole set of pop tunes arranged around a central theme or mood was something new in popular music. With the advent of the LP in 1953, commercial pop music was beginning to take itself seriously. As to be expected, Frank Sinatra did it first and best.
  • Sinatra is in utter command of this material--vocally relaxed yet focused on conveying what these hand-picked "torch" songs still have to say to the modern listener. Throughout he projects his signature manly vulnerability without seeming maudlin or even sentimental. The singer is helped immeasurably in this task by Nelson Riddle's deftly scored chamber arrangements which include brilliant use of celeste and guitar on several tracks (cf. Alec Wilder's "I'll Be Around", Kay Swift's "Can't We Be Friends".) A must for any listener even remotely interested in the Great American Songbook.
Professional Reviews
Rolling Stone (12/11/03, p.120) - Ranked #100 in Rolling Stone's "500 Greatest Albums Of All Time" - "[The album] sustains a midnight mood of loneliness and lost love - it's a prototypical concept album."

Mojo (Publisher) (2/01, p.104) - "The most indispensable Sinatra item. A collection of songs about unrequited love, not merely sung but lived out by a performer seemingly intent on sharing his own heartbreak with the world..."

NME (Magazine) (8/12/00, p.28) - Ranked #7 in The NME "Top 30 Heartbreak Albums" - "...Smokey, bleak and at times desolate, it is easy to trace the line back to Billie Holiday....His voice has rarely had such devastating effect."
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